In response to Darrick's article on Lebanese mystic, Doctor Dahesh, here are structural analyses of two of his artworks, or attributed to him.
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The text is here;
[mindprintart.wordpress.com]
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The text is here;
[mindprintart.wordpress.com]
The general theme in the Inferno could be type t15 Gemini (see Tarot trump 15, Devil, or worldly creator), and its opposite, type t7 Sagittarius, often a forming or ‘buck bag’ of physical manifestation, next to the galactic vortex, here on the abyss of hell (see vortexes in Blake’s art, and in rock art).
Duktur or 'Doctor' Dahesh was a gifted natural miracle worker. Some witnesses tell how he transformed parts of paintings to life, leaving blanks in the paintings.
These artworks express general themes related to incarnation and excarnation, manifestation and transmutation.
Paradise trees are vertical vortexes, often expressed in the galactic gate between types t15 Gemini and t1 Taurus Auriga-Orion (here on a peacock tail of eyes).
Infernos are fire vortexes, sometimes expressed between types t7 Sagittarius and t8 Scorpius, where the galactic centre lies, a little south-west of the other gate.
Rock art sometimes use cracks in rock as a kind of veil from or into which animals or people emerge or move out of view (see Mindprint p164-169).
Miracle workers intervene in the mechanism of manifestation, or at least in viewers' perception of manifestations.
Paintings are typical of manifestation, and of a vortex of images spun out of perception and inspiration. The structure of the resulting manifestation is invisible, until marked out by lines between the eyes of pairs of opposites. These lines always form an axial grid, crossing in one point.
Structural analysis reveal that some artworks express the moment of inspiration, when some of the characters are still 'buck bags' of moths manifesting from their limbs, and from the vortex at the 'galactic centre' of the work. All five levels of structural expression are subconscious to artists, storytellers, ritual liturgists, and users of cultural media.
The text is here;
[mindprintart.wordpress.com]
The text is here;
[mindprintart.wordpress.com]
The general theme in the Inferno could be type t15 Gemini (see Tarot trump 15, Devil, or worldly creator), and its opposite, type t7 Sagittarius, often a forming or ‘buck bag’ of physical manifestation, next to the galactic vortex, here on the abyss of hell (see vortexes in Blake’s art, and in rock art).
Duktur or 'Doctor' Dahesh was a gifted natural miracle worker. Some witnesses tell how he transformed parts of paintings to life, leaving blanks in the paintings.
These artworks express general themes related to incarnation and excarnation, manifestation and transmutation.
Paradise trees are vertical vortexes, often expressed in the galactic gate between types t15 Gemini and t1 Taurus Auriga-Orion (here on a peacock tail of eyes).
Infernos are fire vortexes, sometimes expressed between types t7 Sagittarius and t8 Scorpius, where the galactic centre lies, a little south-west of the other gate.
Rock art sometimes use cracks in rock as a kind of veil from or into which animals or people emerge or move out of view (see Mindprint p164-169).
Miracle workers intervene in the mechanism of manifestation, or at least in viewers' perception of manifestations.
Paintings are typical of manifestation, and of a vortex of images spun out of perception and inspiration. The structure of the resulting manifestation is invisible, until marked out by lines between the eyes of pairs of opposites. These lines always form an axial grid, crossing in one point.
Structural analysis reveal that some artworks express the moment of inspiration, when some of the characters are still 'buck bags' of moths manifesting from their limbs, and from the vortex at the 'galactic centre' of the work. All five levels of structural expression are subconscious to artists, storytellers, ritual liturgists, and users of cultural media.